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"I was a bit concerned - in the rehearsal half the choir were in tears & couldn’t sing, they were so moved by your performance of Love bade me welcome - you got so to the heart of the text & the music. Luckily they held themselves together on the night!”
Richard Emms, conductor - Stour Singers“Eloquent in song and avuncular in speech,”
Darwin's Dream, Graham Treacher - The Times“Bass Robert Rice, subbing at short notice, gave us a splendidly robust Why do the Nations, full of resonant rage and controlled power.”
Messiah, Handel - Bath Chronincle"The second half. was given over to earlier music; songs by Gurney, folk-song arrangements by Britten, and Vaughan Williams’s cycle Songs Of Travel, all sensitively sung by baritone Robert Rice....."
Recital Robert Rice and Elizabeth Mucha, York Late Music, April 2019 - Nicholas Williams, yorkpress.co.ukOne of the UK’s most versatile baritones, Robert Rice was a choral scholar at King’s College, Cambridge before gaining a DipRAM under Mark Wildman. His concert repertoire is extensive and varied: drawing on his experience in vocal consorts, he is often praised for his interpretations of the baroque masterworks; as a maturing singer he equally enjoys Verdi, Elgar and Vaughan Williams.
In recent seasons he has performed composers as varied as Humperdinck, at the Berlin Konzerthaus, Bach – St John Passion at the Southern Cathedrals Festival – and Howard Goodall in London’s St Paul’s Cathedral. His main specialism is in works of the twentieth and twenty-first centuries and he has been involved in premières of diverse new pieces throughout his career, those by Jacques Cohen, Paul Drayton, Errolyn Wallen and Hayley Jenkins being notable recent examples. His experience in performing contemporary music led to the creation of roles in stage works by Paul Clark, Judith Bingham and Nigel Osborne, whose Differences in Demolitions toured Bosnia Herzegovina and the UK. He made his debut at London’s South Bank as the title role in a staging of Maxwell Davies’ Eight Songs for a Mad King.
Robert appeared in the staged recital Art Sung: Alma Mahler (Wilton’s Music Hall), and with pianist William Vann has regularly performed at York’s Late Music series, most recently celebrating Walter De la Mare with several premières. He has collaborated with guitarist Erich Schachtner in Germany and the UK on programmes of lieder and lute songs.
Robert’s solo recordings include Judas in Elgar’s The Apostles with Canterbury Choral Society and the Philharmonia Orchestra, and his version of Cornelius’ Die Drei Könige (The Three Kings), with the choir Polyphony, is a Christmas radio favourite. His latest CD, with William Vann, of 29 Songs by David Power, has been enthusiastically reviewed.
When not performing or recording, he leads workshops, adjudicates, and teaches widely, including for the National Youth Choir, Rodolfus Foundation Choral Courses, King’s, Clare and Jesus College Choirs in Cambridge, the choir of King’s College, London, and the London Symphony Chorus. Novello have published many of his vocal arrangements, while others are sung worldwide, and have been recorded, by the King’s Singers.
His nickname, Berty, has confused countless acquaintances, and he often tries to arrange his singing engagements around skiing trips to the Alps, while well aware that it should be the other way around.
May 2025
Photo credit: Ben McKee
For Oratorio and Concert repertoire please scroll down:
Oratorio and concert rep | |
Composer | Work |
J S Bach | Mass in B minor |
Cantata No. 82, Ich Habe Genug | |
Christmas Oratorio | |
Lutheran Masses in A, F and G minor | |
Magnificat | |
St John Passion (Christus and Arias) | |
St Matthew Passion (Christus and Arias | |
Beethoven | Christ on the Mount of Olives |
Mass in C | |
Missa Solemnis | |
Symphony No 9 | |
Brahms | Ein Deutsches Requiem |
Drayton | St Mark Passion |
Duruflé | Requiem |
Dvorak | Mass in D |
Requiem | |
Stabat Mater | |
Te Deum | |
Dyson | The Canterbury Pilgrims |
Elgar | The Apostles (Judas and Peter) |
The Dream of Gerontius | |
The Kingdom | |
Fauré | Requiem |
Finzi | In Terra Pax |
Gilles | Requiem |
Gounod | St Cecilia Mass |
Grier | Around the Curve of the World |
Handel | Israel in Egypt |
Judas Maccabeus | |
Messiah | |
Ode on the Birthday of Queen Anne | |
Theodora | |
Haydn | Creation Mass |
Harmony Mass | |
Maria Theresa Mass | |
Nelson Mass | |
Stabat Mater | |
St Cecilia Mass | |
St Nicholas Mass | |
The Creation | |
The Seasons | |
Kodaly | Budavari Te Deum |
Mendelssohn | Elijah |
Lauda Sion | |
St Paul | |
Monteverdi | Vespers of 1610 |
Mozart | Coronation Mass |
Confessore Vespers | |
Dominican Vespers | |
Mass in C Minor | |
Requiem | |
Orff | Carmina Burana |
Purcell | Birthday Odes |
Come ye sons of Art | |
Rossini | Petite Messe Solennelle |
Stabat Mater | |
Scarlatti | Dixit Dominus |
Schoenberg | A Survivor from Warsaw |
Schubert | Magnificat |
Masses in C, G and A Flat | |
Shostakovich | Symphony No. 14 |
Stainer | The Crucifixion |
Stanford | Songs of the Fleet |
Songs of the Sea | |
Stabat Mater | |
Steele | Passion and Resurrection |
Telemann | Allein Sei Gott in die Höh’ |
Tippett | A Child of our Time |
Vaughan Williams | Dona Nobis Pacem, |
Five Mystical Songs | |
Five Tudor Portraits | |
Symphony No. 1: A Sea Symphony | |
Verdi | Requiem |
Vivaldi | Dixit Dominus |
Magnificat | |
Walton | Belshazzar’s Feast |